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Unknown
First published: December 1, 2024 - Last updated: June 1, 2025
TITLE INFORMATION
Editors: Ralph Beliveau and Lisa Funnell
Title: #MeToo TV
Subtitle: Essays on Streaming Rape Culture
Place: Jefferson, NC
Publisher: McFarland
Year: 2025
Pages: 192pp.
ISBN-13: 9781476692630 (print) -
Find a Library:
Wikipedia,
WorldCat |
ISBN: 9781476655000 (ebk.) -
Find a Library:
Wikipedia,
WorldCat
Language: English
Keywords:
Modern History:
21st Century |
American History:
U.S. History |
Society:
Rape Culture;
Representations:
Films and
Television
FULL TEXT
Link:
Google Books (Limited Preview)
ADDITIONAL INFORMATION
Editors:
-
Ralph Beliveau,
Gaylord College of Journalism and Mass Communication,
University of Oklahoma -
Personal Website,
Academia.edu,
Google Scholar,
ResearchGate
-
Lisa Funnell:
Personal Website,
Google Scholar
Contents:
|
Acknowledgments (p. vii) |
|
Introduction: The #MeToo Lens and the Television Industry Ralph Beliveau and Lisa Funnell (p. 1) |
|
“Some were prostitutes … others were ordinary women”: Memories, Mediation, and Sexual Violence in the True Crime Genre Zoë Antoinette Eddy (p. 9) |
|
“We have the power now”: Notions of (Em)Power(ment) and Solidarity in Documentaries of the USA Gymnastics Sexual Abuse Scandal Sabine Elisabeth Aretz (p. 26) |
|
A Song of Virtue and Vice: The Impact of Class on Rape Narratives in HBO’s Game of Thrones (2011–2019) Louise Coopey (p. 40) |
|
Debunking Rape Myths: Sexual Violence, Feminism, and #MeToo in Unbelievable Tatiana Konrad (p. 53) |
|
She Married Him Anyways: Exploring Sexual Violence in Mad Men Erin K. Burrell (p. 65) |
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“I’m as innocent as any straight, middle-aged man there is”: #MeToo, Rape Culture, and Masculinity in Apple TV+’s The Morning Show Hannah Hansen (p. 77) |
|
Watching Water: Waves of Violence and #MeToo Eve Froude (p. 90) |
|
“Bluebeard’s Castle”: Reconsidering Romance and Revenge in Netflix’s You Alexandra Swanson (p. 101) |
|
“One woman’s terrorist is another woman’s liberator”: Dietland, #MeToo, and Rape Revenge Rebecca Johinke (p. 111) |
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From “Good Girls” to Vigilantes: Feminist Representation and Production in #MeToo Television Katherine J. Lehman (p. 123) |
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Television Production, #MeToo, and Gendered Challenges in Representing Rape Rachel R. Reynolds and Dacia Pajé (p. 135) |
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“A gut punch to the soul”: Fan Responses to Rape Depictions in Popular TV Shows Joy Jenkins and J. David Wolfgang (p. 153) |
|
About the Contributors (p. 173) |
|
Index (p. 177) |
Description:
»The #MeToo movement has heightened awareness about the prevalence of sexual violence across professional, public, and private spheres. Since the movement began, many individuals have bravely stepped forward to share their experiences within media industries that historically protected predators while silencing survivors. Television and streaming content also conveys messages about gender, sex, consent, and power that influences public consciousness. These portrayals of sexual violence warrant re-examination from the perspective of the #MeToo movement.
This essay collection explores sexual violence within television and streaming media, building on the previous work, Screening #MeToo: Rape Culture in Hollywood (SUNY Press 2022). The current anthology features essays covering a diverse range of genres—from documentary and true crime to drama and comedy—across various platforms, including network television and streaming services. The contributing authors analyze representational tropes through an intersectional perspective and examine how trauma, memory, romance, and fantasy intersect the narratives presented. Prompting further exploration from readers, these perspectives serve as a foundation for discussing rape culture in American television and streaming.«
(Source: McFarland)
Wikipedia:
History of the Americas:
History of the United States |
Feminism:
Feminist terminology /
Rape culture |
Film:
Films about rape |
Televison:
Television in the United States |
Sex and the law:
Rape /
Rape in the United States
|